The Bauhaus Movement Essay
Post World War I Germany set the stage for the most organized art movement in art history. The Bauhaus movement was a reaction to the social changes the Germans were facing. The country had been crushed in the war. Their economy was collapsing. Mobs of unemployed people roamed the street waiting for the country to collapse. The Germans were living in poverty and starving from the lack of supplies (Jackson). "This may seem to be an unlikely environment to support an artistic revolution. Never-the-less, for the designers of the Bauhaus, this was the beginning of a rewarding struggle" (qtd. Brodie).
In 1919 an institution called the Bauhaus was formed in Weimer. Walter Gropius was appointed as the head of the school. He had three goals that he wanted his students to achieve. Artist and craftsmen were accepted into the program in an effort to get them to work collectively to combine all of their skills. Secondly, the students were to design everyday objects as works of art. This would advance modern art into the sense of functional design. The third goal was to maintain contact with the leaders of industry so the students could be their consultants.
Ilkka Huovio stated in Bauhaus, The New Man - The New Technique that "The idealistic basis of Bauhaus was a socially orientate programme. An artist must be conscious of his social responsibility to the community. On the other hand the community has to accept the artist and support him" The movement achieved their believed responsibility to the community of Weimer, in 1924 ,with their mass housing program. There was a great shortage of housing for the working class in Weimer so the designers and architects created affordable and modern housing.
The buildings were built from tax money for the workers. Although the workers disliked the new classical form social housing that the Bauhaus had designed. (Jackson).
This set the school up for failure in the community. The Weimer community also thought the students were extremely radical in their appearance and behavior. The fact that women were aloud in the school and the classes were not segregated was a very modern step for the school. This influenced the women to wear their hair short and dress modern. They were being viewed as being too radical for Weiner. They were becoming more and more isolated from the community. (Boedie). In April 1925, the Thuringer government withdrew its economic support for the institute because of the political pressure that was rising in the community (Jackson).
The progressive industrial city of Dessau became the new home for the Bauhaus. For funds they created the Bauhaus GmbH to market their designs and products. They also held workshop for craftsmen to learn their techniques. Breaking away from the government funding and control gave full independence to the group. Gropius turned the Bauhaus leadership over to a Swiss architect named...
Loading: Checking Spelling0%
Biography of Josef Albers Essay654 words - 3 pages Josef Albers was a German artist whose art laid the foundation of one of the most influential styles of the 20th century. Albers’s roots lead back to a town named Bottrop in Westphalia, Germany. From the time of 1908 to 1913, Albers worked as an educator in his town. In 1918, Albers got his premier public commission, Rosa mystica ora pro nobis, which was a stained-glass window for a local place of worship. He studied art in many major German...
This essay describes the events leading up to the International Style of architecture being used in America, the architects who led this movement and what their accomplishments were.1281 words - 5 pages One common criticism of modern architects such as Mies van der Rohe and Walter Gropius is that while their goals might have been laudable, the execution and physical manifestation of their beliefs is somehow disconnected from the culture in which it grew out of. As 'ineffective' as critics might say this style was, there is great importance in...
The architectural movement in the twentieth century1086 words - 4 pages IntroductionAt its highest quality of design and creativity, architecture becomes a form of passion, an idea from the concepts of art and science. Architecture is an approach of an architect's thoughts, emotions, values & beliefs creating innovations & inspirations. (The Resident Architect, 2010) Concepts build to reality tells out a story, acts out events held that connects mankind bringing a community and life...
The Barcelona Trend1684 words - 7 pages The more things change, the more they tend to remain the same. Years can pass and many things may appear different, yet most things remain as they were centuries ago, although they may be slightly altered. The Barcelona chair has showed face for the past eight decades, never changed and hardly reformed, the common Barcelona trend makes a 21st century come back. A trend, an easy entity to follow, todays trends however have had a de-ja-vu effect on...
What was modern about De Stijl?2088 words - 8 pages De Stijl was the name of a magazine established in 1917 by the Dutch painter, designer and writer, Theo van Doesburg. In Dutch the phrase 'De Stijl' translates into 'The Style'. The style of art is called Neo- Platicism. Those who were associated with De Stijl showed its distinctive style in their work, which was 'rectangularity and the use of pure colour,...
Rejecting Social Norms: The Goth Subculture2054 words - 8 pages The late seventies and early eighties saw the beginning emergence of the Goth subculture: a group of social misfits that appear to always find themselves on the outskirts of mainstream pop culture. It is a complex subculture with great depth and mystery. The Gothics share a connection with the darker aesthetic, through their intense music and sexual fetishism, calling into question their predisposition to depression and rejection of social norms....
Wassily Kandisnky966 words - 4 pages HISTORICAL BACKGROUNDWassily Kandinsky was born in Moscow in 1866 and spent his early childhood in Odessa. He grew up in a cultured family: his parents played the piano and the zither. Kandinsky himself learned to play the piano and the cello at an early age - the influence of music in his paintings later in life was enormous, down to the...
Modern Doemstic Design and Traditional German Architecture3014 words - 12 pages Heinrich Tessenow’s (1876 –1950) family house built in 1930’s in Germany consists of two floors and one basement, with a staircase that links all floors together as one. The house has one supporting pillar that is hidden away in the basement; the house comes with seven reasonable sized windows on all four walls of the building. The roof of the house is pitched up towards the sky, in the shape of a triangle on both sides of the building. The house...
Paul Rand: An Incredibly Influential Designer1691 words - 7 pages Paul Rand is known as one of the most influential and finest American graphic designer of the twentieth century. He is known for his art work predominantly for design, graphic design and typography. Paul Rand was born in August 15, 1914 in Brooklyn, New York with the name Peretz Rosenbaum. Rand was known as “self- taught designer”, he learned about works of Cassandre and Moholy-Nagy from European magazines. His esteemed contribution to the...
The Architecture of Moshe Safde1611 words - 6 pages Moshe Safdie is an architect who really examines how a building can shape an area. Not only how the space may look but its functionality, impact on the environment, and impact on the surrounding community. He seeks to engage and enrich the communities making unique and inviting spaces to fit the needs of each project. (Safdie Architects) One of Safdie's most well known buildings is Habitat 67 (or Habitat). The concept of Habitat began in...
Modern Art1138 words - 5 pages Art Assignment'Modern art refers to the then new approach to art that placed emphasis on representing emotions, themes, and various abstractions.'(Wikipedia, 2010)The quote above means that art was starting to be looked at from a different perspective and new, cutting edge approaches to modern art were emerging into the world with some movements such as
I am looking for someone to write my essay? Are you in High School, College, Masters, Bachelors or Ph.D All you need is to ask for research, term paper, thesis help written by a specialist in your academic field. When you buy a customized essay from PremiumPapers.net. We offer you an original, 0%- plagiarized and unique research paper written by a dedicated writer who is PhD or Masters qualified. PremiumPapers.net is an experienced service with over 8 years experience having delivered over 79,500 essays over the years. Just in case you're looking to buy an essay online on this topic or simply need a jumping off of your own feel free to contact our customer support staff. Head on over to the PremiumPapers homepage to get started.
Get Your Essay Done by a Specialist
NB: Click Our Prices for more. Our starting prices are as shown below!
We have over 10 years in the essay, term paper, research writing over the continents: US, UK, CAD, UAE, Russia, Netherlands, South Africa, Europe, Asia etc.
We have a pool of 1112 seasoned & qualified veteran academic research writers in over 77+ fields.
At PremiumPapers.net revision is free if you are not satisfied, Our organization has a money back policy to ensure all our clients are satisfied and keep coming back
Applying for an order is easy on our site, visit our order page and place all your order information if you have attachments upload them and we will write from scratch.
For every order placed at PremiumPapers.net, you will receive a plagiarism, grammar check report
PremiumPapers.net is affordable, but our quality it premium since we have a huge pool of clients
20th Century Design Bauhaus
The Bauhaus also known as the Staatliches Bauhaus was an art school situated in Germany that combined fine arts as well as the crafts. This school was significantly famous for the move towards design which it both taught and publicized[ Crouch, Christopher, Modernism in Art Design and Architecture, (New York: St. Martin’s Press, 2000), p. 63. ]. The Bauhaus school which means ‘building house’ was initially founded by Walter Groupius in 1919 at Weimar. The term Bauhaus means, “house of construction” and was founded with the notion of “total” work of art. The movement was set on embracing the 20th century culture of using machines where buildings and design were accomplished in a utilitarian way. It encouraged the embracing of modern technology. The syllabus taught focused on both artistry and crafts a connection between theory and practice. The understanding of basic design was paramount with principles of craftsmanship, composition and color theory. It is a significant understatement to state that the current state of the graphic design industry tends to owe a lot to the Bauhaus movement.
The works of art included architecture which would eventually be bridged and the Bauhaus style with time became one of the most influential currents in contemporary design[ Friedman, Julia, Beyond Symbolism and Surrealism: Alexei Remizov’s Synthetic Art, (USA: Northwestern University Press, 2010), p. 155.]. The Bauhaus had a reflective influence upon the succeeding developments in architecture, art, interior design, typography, industrial design and graphic design. Another interesting fact about the Bauhaus is that, the continuous changes in leadership and venue also resulted in an unvarying shift of focus, politics, and techniques. For instance, the pottery shop was terminated when the school was moved from Weimer to Dessau; this was so even though the pottery shop was an important source of revenue
[ Hylton, Stuart, The Grand Experiment: The Birth of the Railway Age, (USA: Ian Allan Publishing, 2007), p. 45.].
This paper discusses the extent to which designers and artists realized their aims of social improvement through art and design during the first three decades of the 20th Century as well as movements such as Supermatism, Constructivism, the Bauhaus and early modern movement in architecture.
Artists and designers during the first three decades of the 20th century were influenced by modernism in realizing their aims of social improvement through art and design. Modernism refers to the philosophical movement by which, along with various cultural changes and trends arose from far reaching and also a wide scale revolutions in the western society during the late 19th Century and the early 20th Century[ Irvin, Mark, Amirsadeghi, Hossein and Anthony Downey, Different Sames: New Perspectives in Contemporary Iranian Art. (London: Thames and Hudson, 2009), p. 50.]. Modernism generally includes the various creations and activities of the artists who felt that the long-established designs of art, social organization, architecture, religious faith, literature the sciences, philosophy and also the activities of daily lives were becoming ill-fitted to their respective tasks. As such, they felt significantly obsolete in the new social, economic as well as political environment of an up-coming industrialized world[ Lewis, Pericles, The Cambridge Introduction to Modernism, (Cambridge: Cambridge University Press, 2007), p. 101.]. Some notable traits of modernism are self-consciousness which often led to the conducting of various experiments with form. This was also coupled up with utilization of procedures that showed the materials and processes utilized in the creation of poems, building, and also painting.
Modernism to a great extent discards the principles of realism and thus makes use of past works by employing incorporation, replication, parody, rewriting, reprise and revision. Some people however define modernism as a type of mode of thinking. This means that it is basically one or more philosophically defined traits, for instance, self-reference or rather, self-consciousness which tends to run across all the novelties in the disciplines and the arts[ Nochlin, Linda, Women Artists at the Millennium, (New York: MIT Press, 2006), p. 24.]. Modernism may also be considered as a thought which simply avows the power of humans to improve, reshape as well as improve their respective environments with the assistance of practical experimentation, technology, and scientific knowledge. Many artists felt the need to encompass the novel ways of living along with their various works of art. Indeed, by the year 1930, modernism had penetrated pop culture. This was influenced by the ever increasing urbanization and population; it started to be envisioned as the source of various ideas. Modernism provided a platform to deal with social norms and day to day activities in order to better deal with challenges
[ Pollock, Griselda, Encounters in the Virtual Feminist Museum: Time, Space and the Archive, London: Routledge, 2007, p. 13.].
Pop culture was derived from its own specific realities especially in mass production which had the propensity to fuel myriad modernist innovation rather than high culture. These said modern ideas appeared in various logos and commercials. The illustrious London Underground logo was an early example, easily memorable and recognizable visual symbols. Another example of the extent to which artists and designers realized their aims of social improvement through design and art is the embracing of modern production in their day to day life[ Sheppard, Richard, Modernism-Dada-Postmodernism, (USA: Northwestern University Press, 2000), p. 99.]. It is also important to note that the invention of electricity, the automobile and the telephone also necessitated the need for artists and designers to incorporate them in their lives; this was the period whereby the adoption of objects was also visible. Due to the aforementioned, the need for the development of new forms of social life and values were developed so as to keep up with the ever increasing demand for modern works of art.
A number of movements have taken place over the years with regards to art and design during the 20th Century. A movement refers to a prevailing inclination or style in both art and design; this more often than not, tends to uphold a specific ideal or philosophy and as such, is followed as well as promoted by an assemblage of artists for a given period of time[ Ibid, p. 64.].The supermatism movement is the first movement which had a pure geometrical abstraction with regards to painting. It has its origins from an artist known as Kazimir Malevich in Russia in the year 1913. Suffice to say that the latter’s first supermatist work was a pencil drawing of a black square in a white field. Supermatism usually takes the illustration of objective representation which is a distinct Russian offshoot. The representation blends futurism as well as cubism. According to various artists, the fitting means of representation has the aptitude to give the fullest possible expression to feeling and also tends to ignore the familiar appearance of objects
The constructivism movement is another Russian architectural and artistic movement which was initially influenced by both futurism and cubism. This type of movement and term is frequently used in contemporary art today. It dismissed pure art in favor of art which is utilized as an instrument for social rationales, for instance, the construction of the socialist system[ Ibid, p. 47.]. The expression, “construction art”, was originally used as a contemptuous term by Kazimir Malevich in order to describe the works of Alexander Rodchenko in the year 1917. Due to their love for technology and machines, functionalism as well as contemporary industrial materials including steel, glass and plastic bags, the artists and designers came to be known as artistic engineers.
The early modern movement in architecture is a term applied to a sort of overarching movement which precise definition is widely varying. It is mostly used to the myriad modernist movements which were observed at the turn of the 20th Century[ Ibid.]. This was executed with the efforts to bring together the principles underlying architectural design coupled up with rapid modernization of society and technological advancements. Some characteristics included clarity and simplicity of forms, the utilization of industrially produced materials and the flowing of forms.
The Bauhaus movement shaped the 19th and 20th centuries trends in art and craft designs and was characterized by many influential artists who reunited creativity and manufacturing. A number of these artists included; Walter Gropius, Marcel Breuer, Wassily Kandinsky, Josef Albers and Johannes Itten. Marcel Breuer is well known for the design and innovation of materials used in the “The Wassily Chair” a design that significantly made the Bauhaus famous in 1925. The design adopted modernism through ease of mass production and the use of new materials including seamless steel that endures physical tension. It consisted of components arranged with affluence of clarity making it lightweight and easily moved.
The Bauhaus building in Dessau, Germany known as the Gropius’s complex is a landmark in functionalist design[ Droste, Magdalena. Bauhaus, 1919-1933. Köln: B. Taschen, 1998. ]. The design by Walter Gropius constructed between 1919 and 1925 consists of clear divided elements that unfold in successive changing perspectives. The tiled roof, concrete bricks, steel framework and glass curtain wall allows ample lighting and expresses modern architecture. The building consists of three asymmetrically arranged wings showing the school’s functionality at the same time retaining its elegance and beauty. These are a number of examples that show how artists and designers in the 20th century realized their aim of social improvement through their work.
Crouch, Christopher. Modernism in Art Design and Architecture. New York: St. Martin’s Press, 2000.
Droste, Magdalena. Bauhaus, 1919-1933. Köln: B. Taschen, 1998.
Friedman, Julia. Beyond Symbolism and Surrealism: Alexei Remizov’s Synthetic Art. USA: Northwestern University Press, 2010.
Hylton, Stuart. The Grand Experiment: The Birth of the Railway Age. USA: Ian Allan Publishing, 2007.
Irvin, Mark, Amirsadeghi, Hossein and Anthony Downey. Different Sames: New Perspectives in Contemporary Iranian Art. London: Thames and Hudson, 2009.
Lewis, Pericles. The Cambridge Introduction to Modernism. Cambridge: Cambridge University Press, 2007.
Nochlin, Linda. Women Artists at the Millennium. New York: MIT Press, 2006.
Pollock, Griselda. Encounters in the Virtual Feminist Museum: Time, Space and the Archive. London: Routledge, 2007.
Sheppard, Richard. Modernism-Dada-Postmodernism. USA: Northwestern University Press, 2000.